Running with Scissors

hi, i'm Ruby,17, Minnesota. I love grizzly bears, baking, and the color blue, and also my really cute girlfriend Sam hell yeah
oszt:

       iraffiruse:

Long exposure, 3 traffic lights in the fog.

damn this justthis fukn does it for methis is gorgeous

oszt:

       iraffiruse:

Long exposure, 3 traffic lights in the fog.

damn this just
this fukn does it for me
this is gorgeous

(via jamjars)

thesylverlining:

winterwombat:

the-enchanted-mermaid:

Meet the World’s Smallest Rabbit.

Columbia Basin Pygmy Rabbits are the world’s smallest and among the rarest. 

Miniature bunnies with iridescent ears. Happiness, embodied as a tiny ball of fluff and cute.

TINY BUN WITH COLORFUL EARS ;____;

(via suzuyabae)

Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.

—Rainer Maria Rilke, The Book of Hours (via larmoyante)

(via ciao-miau)

fohk:

"If I’m going to burn down the cinema, which I am, we both know you’re not going to let me do it by myself. Because you love me. And I love you. And you’re the only person on this earth I can trust"
Inglourious Basterds (2009)Quentin Tarantino

fohk:

"If I’m going to burn down the cinema, which I am, we both know you’re not going to let me do it by myself. Because you love me. And I love you. And you’re the only person on this earth I can trust"

Inglourious Basterds (2009)
Quentin Tarantino

(via excdus)

stability:

philwrir:

officialfrenchtoast:

INTENSE

ITS BACK

I’m bringing this back from the depths of hell

(Source: nevereverbeensosatisfied, via abbymoose)

asylum-art:

A Towering Figure Enclosed Within a Glass Greenhouse by Susanne Ussing
Susanne Ussing, ‘I Drivhuset’ (‘In the Greenhouse’), 1980. Ussing was a Danish artist and architect, with a special interest ceramics. This mixed-media piece brings together the world of sculpture and architecture by placing the former inside the latter. Classical parallels are easily conjured here. Like a latter-day (and feminine) Zeus at Olympia, this ginormous female figure is too large for the confines of the glasshouse, which looks like it might shatter were she to move too freely; like a Crouching Aphrodite of immodest proportions, she looks vulnerable and coquettish all at once. At the same time, her skin of newspapers and skeleton of metal and wood thoroughly modern - not quite distracting from the gracefulness of her pose, but instead under-girding her with firm foundations.


Susanne Ussing (1940-1998, Danish) - I Drivhuset installed at Ordrupgaardsamlingen (In the Glasshouse), Denmark, 1980. It is composed of granite and porous materials.

asylum-art:

A Towering Figure Enclosed Within a Glass Greenhouse by Susanne Ussing

Susanne Ussing, ‘I Drivhuset’ (‘In the Greenhouse’), 1980. Ussing was a Danish artist and architect, with a special interest ceramics. This mixed-media piece brings together the world of sculpture and architecture by placing the former inside the latter. Classical parallels are easily conjured here. Like a latter-day (and feminine) Zeus at Olympia, this ginormous female figure is too large for the confines of the glasshouse, which looks like it might shatter were she to move too freely; like a Crouching Aphrodite of immodest proportions, she looks vulnerable and coquettish all at once. At the same time, her skin of newspapers and skeleton of metal and wood thoroughly modern - not quite distracting from the gracefulness of her pose, but instead under-girding her with firm foundations.

Susanne Ussing (1940-1998, Danish) - I Drivhuset installed at Ordrupgaardsamlingen (In the Glasshouse), Denmark, 1980. It is composed of granite and porous materials.